Friedemann Findeisen – Hook / Melody Master Files
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The Formulas Of Hook & Melody Writing Explained!
Your Instructor
Friedemann Findeisen is a music profiler, songwriter/producer and songwriting coach.
After spending some time at International Music College Freiburg, Friedemann realized that he had made a mistake studying jazz guitar. For two years he had spent every day trying to improve his playing technique – with no success. Rehearsing scales was not his thing. Instead, under the radar of his teachers, Friedemann wrote songs.
When he barely made his final guitar exam and his composition teacher (and creative director of the school) Bernhard G. Hoffmann heard his songs and told him “There is nothing more I can teach you”, Friedemann quit the program and moved to the Netherlands. Here, he studied MediaMusic and his songwriting exploded.
In the following four years, Friedemann played in front of over a 100,000 people with his band, conducted his music in front of a live orchestra, was featured on prime time television, won two composition awards, had his music going to Cannes Film Festival and worked for some of the biggest names in the industry. He has received recommendations from songwriters Erwin Steijlen (Pink, Shakira) and René Merkelbach (Within Temptation), orchestrator Conrad Pope (The Hobbit, Harry Potter) and composer Jeff Rona (Traffic, God Of War III).
At 31, he now has written a best-selling book, has over 370,000 subscribers on YouTube and does music profiling for some of the biggest producers in the country.
Course Curriculum
Hook / Melody Master Files
ABOUT THIS COURSE
01 – Introduction (2:17)
02 – Overview (1:43)
PART I: PSYCHOLOGY
03 – What Is A Melody? (0:38)
04 – What Is A Hook? (1:26)
05 – What Hooks Do (1:34)
06 – What Hooks Don’t Do (1:53)
PART II: GROUND RULES
07 – Ground Rules (2:39)
PART III: THE MOTIF
08 – The Secret To Hook-Writing (2:49)
09 – The #1 Mistake Songwriters Make (1:37)
10 – Examples of Music Design (1:48)
NEW: Notes on Motifs
11 – The Ursatz (1:51)
12 – Using The Ursatz (1:27)
13 – Exercise II (1:23)
NEW: Notes on the Ursatz
PART IV: LINE STRUCTURE
14 – What is Line Structure? (2:21)
15 – More Examples (0:32)
16 – Exercise (0:28)
17 – Melodic vs. Rhythmic Structure (0:27)
18 – Interesting Structures (0:26)
19 – Exercise (0:17)
20 – Using Structure (1:29)
PART V: VERSES VS. VERSES
21 – Chorus vs. Verses (Differences) (3:09)
22 – Melodic Approaches (2:05)
23 – Examples (2:49)
24 – Chorus vs. Verses (Similarities) (0:57)
25 – The Pre-Chorus (1:00)
PART VI: HARMONY/MELODY
26 – The Harmony-Melody Link (3:09)
27 – Nomenclature (1:21)
28 – Triad Flavors (1:09)
29 – Adding the 7th (1:52)
30 – Adding the 9, 11 and 13 (1:25)
31 – Options In Melody (2:44)
32 – Using Options (Results) (2:11)
NEW! Writing Jazzy RnB Melodies (16:00)
PART VII: BASE PITCHES
33 – What Are Base Pitches? (1:14)
34 – One Note Melodies (3:52)
35 – Making Things Interesting (2:02)
36 – Using Base Pitches (2:15)
37 – Base Lines (1:33)
NEW: Notes on Base Pitches
PART VIII: GROOVE
38 – Introduction to Groove (0:45)
39 – Rhythmical Building Blocks (1:40)
40 – Note Length (1:06)
41 – Programming Note Length (0:45)
42 – The Backbeat (1:37)
43 – Using The Backbeat (2:05)
PART IX: DEVELOPMENT
44 – Introduction to Development (0:52)
45 – Pick-Up Phrases (0:38)
46 – Rhythmic Retention (0:14)
47 – Extension (0:23)
48 – Truncation (0:37)
49 – Ornamentation (0:29)
50 – Thinning (0:18)
51 – Sequencing (0:33)
52 – Inversion (1:03)
PART X: BITS & PIECES
53 – Space (0:58)
54 – Call & Response (2:31)
55 – Lyrics (0:54)
56 – Backing Vocals (0:30)
57 – Counterpoint (2:31)
58 – Inspiration (2:32)
PART XI: SUMMARY
59 – Summary (2:40)
BONUS SECTION
BONUS – Learning Chords (32:52)
BONUS – Learning Scales (33:43)
PDF #01 – The Ursatz
PDF #02 – Structure
PDF #03 – Melodic Approaches
PDF #04 – Base Pitches
PDF #05 – Emotion
PDF #06 – One Note Melody
PDF #07 – Development
PDF #08 – Groove
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